HOM:

Giving you something to read on the toilet since 2009.

"The mistake lies in seeing debate and discussion as secondary to the recovery of meaning. Rather, we should see them as primary: art and literature do not exist to be understood or appreciated, but to be discussed and argued over, to function as a focus for social dialogue. The discourse of literary or art criticism is not to recover meaning, but to create and contest it. Our primal scene should not be the solitary figure in the dark of the cinema but the group of friends arguing afterwards in the pub."
-Don Fowler (1996) "Even Better Than The Real Thing"

Wednesday, January 18, 2012

Top 100 - Joey Proffitt

1. Braveheart
2. Lord of the Rings Trilogy*
3. Tommy Boy
4. Saving Private Ryan
5. Dumb and Dumber
6. The Private Eyes
7. Clear and Present Danger
8. The Fugitive
9. The Saint
10. A Knights Tale
11. Indiana Jones (sans Crystal Skull)
12. Sneakers
13. Robin Hood: Prince of Thieves
14. Lion King
15. Jurassic Park
16. Gladiator
17. Three Musketeers
18. The Rock
19. Remember the Titans
20. Big
21. Happy Gilmore
22. The Patriot
23. Top Gun
24. Billy Madison
25. The Count of Monte Cristo
26. Avatar
27. Ace Ventura When Nature Calls
28. Primal Fear
29. Rain Man
30. Goonies
31. Star Wars
32. Terminator 2 Judgement Day
33. Aladdin
34. Little Mermaid
35. Good Will Hunting
36. Live and Let Die
37. Back to the Future (all of em)
38. The Godfather & II
39. Con Air
40. Zoolander 
50. Tombstone
51. The Game
52. The Usual Suspects
53. Last of the Mohicans
54. Clash of the Titans (original)
55. Young Guns
56. Fight Club
57. Monty Python's Life of Brian
58. Black Sheep
59. Cliffhanger
60. Italian Job
61. Mighty Ducks 2
62. Wizard of Oz
63. Ernest Scared Stupid
64. The Sound of Music
65. Forrest Gump
66. The 10 Commandments
67. Rocky III & IV
68. Hook
69. Blade 1 & 2
70. Passenger 57
71. Goldfinger
72. Die Hard: With a Vengeance
73. Groundhog Day
74. The Matrix
75. The Silence of the Lambs
76. Patriot Games
77. What About Bob
78. Pan's Labyrinth
79. Home Alone
80. Conan the Barbarian
81. Harry Potter Series (lowest is Half-Blood Prince)
82. Boys in the Hood
83. Dan in Real Life
84. Days of Thunder
85. The Ring
86. Stand By Me
87. Mary Poppins
88. The Dark Knight
89. Sleepy Hollow
90. Taken / Man on Fire
91. Momento
92. Open Range
93. Armageddon
94. Best in Show
95. Robin Hood: Men in Tights
96. Thomas Crowne Affair (new one)
97. Se7en
98. A Few Good Men
99. Rounders
100. The Sting

*Notice that I have put trilogies and such together, except for James Bond Series, and have not include Mini-Series'.

Monday, January 16, 2012

1st Annual HOM Awards



As voted on by HOM contributors and some decent movie-going folks, here are the nominees and winners of 2011.

Best Supporting

Kenneth Branagh - My Week With Marilyn
Albert Brooks - Drive
Andy Serkis - Rise of the Planet of the Apes
Jessica Chastain - The Help
Melissa McCarthy - Bridesmaids
Carey Mulligan - Shame
Octavia Spencer - The Help
Shailene Woodley - The Descendants
Jonah Hill - Moneyball
Viggo Mortensen - A Dangerous Method
Keira Knightley - A Dangerous Method
Armie Hammer - J. Edgar
Seth Rogen - 50/50

HOM Award for Best Supporting - Melissa McCarthy - Bridesmaids

Best Director

Woody Allen - Midnight in Paris
George Clooney - The Ides of March
Alexander Payne - The Descendants
Martin Scorsese - Hugo
Nicolas Winding Refn - Drive
Steven Spielberg - War Horse
Terrence Malik - The Tree of Life

HOM Award for Best Director - Terrence Malik - The Tree of Life

Best Soundtrack

The Artist - Ludovic Bource
Drive - Cliff Martinez
The Girl With the Dragon Tattoo - Trent Reznor and Atticus Ross
Hugo - Howard Shore
War Horse - John Williams


HOM Award for Best Soundtrack - Drive - Cliff Martinez & The Girl With the Dragon Tattoo - Trent Reznor and Atticus Ross


Movies We'll Watch Again


Drive
Hugo
War Horse
The Help
Bridesmaids
The Tree of Life
Moneyball
The Girl with the Dragon Tattoo
50/50


HOM Award for Movies We'll Watch Again - Bridesmaids


Best Actor/Actress


Brad Pitt - Moneyball
Michelle Williams - My Week With Marilyn
Brad Pitt - The Tree of Life
George Clooney - The Descendants
Ryan Gosling - Drive
Michael Fassbender - Shame
Leonardo DiCaprio - J. Edgar
Jean Dujardin - The Artist
Viola Davis - The Help
Charlize Theron - Young Adult
Rooney Mara - The Girl With the Dragon Tattoo
Joseph Gordon-Levit - 50/50


HOM Award Best Actor/Actress - George Clooney - The Descendants


Best Picture


The Descendants
Hugo
The Tree of LIfe
Drive
Moneyball
The Help
Midnight in Paris
War Horse


HOM Award Best Picture - Drive


Notable information for hashing out the results. Each movie in the 'Best Picture' category received at least one vote. Rooney Mara came in a close second for her Dragon Tattoo performance. Melissa McCarthy won by a landslide. Drive, Dragon, and 50/50 all did well in 'Movies We'll Watch Again'. The editor believes that Shailene Woodley deserves an award. 

The Guard - James King

The Guard

Or

How a dirty, racist-seeming Galway cop and a straight-laced African-American FBI agent learn to get along and stop some drug dealers.

Straight from the Red Box at Shaw’s Supermarket comes a very funny Irish film called the Guard.  If you were a fan of Martin McDonagh’s In Bruges and Six Shooter ( a short available on itunes), then you’ll like this movie written and directed by his brother, John.  Be warned, however, that it lacks the dramatic heft and razor-sharp dialogue of those films; but what John’s film lacks in depth it makes up for in comedy.  And the style, the style is terrific—kind of like a an episode of Twin Peaks using a foul-mouthed, ultra-violent, ostensibly-racist, Spaghetti Western-inspired script from Terrantino.  But that might be off, because this is a local film and it can’t really be described apart from its connection to Connemara and Galway.  For instance nearly everyone involved--save Cheadle (remember Hotel RwandaCrash? He’s great)-- is Irish and it plays on stereotypes and references unique to the West of Ireland (for instance- a memorable Irish-language scene, the unique dangers of Dublin whores, “I’m Irish, racism is part of my culture”, and other things I have no clue about because I’m not from there).  I think that the film’s international success stems from how everyone can relate to the eccentricities of small-town communities far removed from the culture (confines?) of an urban center.  Also the acting is top-notch:  Brendan Gleason plays Sgt. Gerry Boyle as a likable, roguish, slightly-corrupt cop with a heart of gold so well that you feel like you’ve known him for years.  Gleason has the unique gift of giving any character instantaneous depth but not at the price of not making you want to laugh at him.  Furthermore, the supporting cast all help create a very real sense of community--from the steely Fionnula Flanagan as his equally lovable, unscrupulous mother to--my favorite character—a freckled-face boy in Reebok gear riding his bicycle around weapons drops and drug boats.  I think that it’s this depth that makes the comedy work:  you feel like you know Boyle and the rest and you laugh at their shortcomings and, by the end, really really hope that they can save the day and themselves.      

Thursday, January 12, 2012

The Girl With the Dragon Tattoo - HOM and Dan Tepe

HOM: You suggested that we all go see this movie? Why did you suggest it? Why not suggest Hugo or Young Adult or My Week With Marilyn?

DT: As someone who isn't the most updated on new movies and what is out in theaters, I heard a lot of rumblings about The Girl With the Dragon Tattoo from friends and family. The first time someone mentioned it, I had never heard of it, but everyone was talking about it. The consensus I heard was that people approved, but even if someone disliked it, they were talking about it. I just wanted to see what all the buzz was about. While other movies might have been a good selection as well, I'm a fan of suspenseful, make you think, murder mysteries. This one fit the bill.

HOM: So what did you think overall? Did the movie meet expectations? I really liked it. This was the second time I saw it. Would you see it again?

DT: Overall, I really enjoyed the movie. Most of the movies I'll see in theater are safe picks (Batman, Bournes, Sherlock etc); you know what you're going to get. However, I went in to this one not really sure what I would be experiencing. I felt this was going to be one of those movies that a person really enjoys or leaves with a feeling of pure disdain. I'm glad I came out feeling the former. Having not read the book, I can't compare to it although I generally think books are better because it leaves more to the imagination. The snowy Sweden setting made it a little darker and colder which I enjoyed.

HOM: Let's talk about the few scenes that were not so much fun to watch. David Fincher directed this book-to-screen movie. He got a decent amount of attention when he made the movie Se7en. That movie was freaking nuts the first time I saw it. I think he is really good at pushing the viewer to the max. But the reason I think he is better than horror movie directors is that for some reason, his freakish characters are not impossible to relate to. Saw is ridiculous cause the protagonist is ridiculous (this is not to deny that the first Saw movie was gripping). Before we went to see this movie the rape scenes had been hashed out extensively. How do you think these scenes fit into the movie? I have not read the book trilogy. I have read depictions of rape scenes in books, though. Is it worse to watch a rape scene? Was the graphic nature of the scene necessary for the movie to work? What were your general thoughts on the whole ordeal?

DT: I don't know much about the director. In fact, I don't know much about any director. However, just hearing that he directed Se7en is all I need to hear. That movie created a lot of buzz and shock, but it was critical to the plot. Like you, I haven't read the books, so I don't know how those scenes and information will help develop the plot in the other two movies to come. I will say that, while the rape scenes are extremely disturbing, they do help illuminate just how crappy Lisbeth's day-to-day life can be. If that was the director's hope, it worked. Because by the end of the movie, I felt completely different about her. Like she had some light and hope in her life from meeting Mikael. Did the scenes need to be that graphic? Maybe not. But you learn a lot about the type of person she is from those scenes. She has issues, but she's a fighter.

HOM: Rooney Mara, keeper of two really wealthy family names, shows up in a huge way for this movie? I thought her stoic portrayal of a girl with a dragon tattoo, and all the insanity such a tattoo implies, was excellent and surprising. Fincher used her in a minor role in The Social Network and must have seen something that other casting folks hadn't seen, in my estimation. What did you think of her? Where in the movie was she at her best?

DT: The woman who played Lisbeth seemed to be a perfect fit. Apparently, she had all of those piercings done for this role. If that's true, it says a lot about her commitment to the character. I found her extremely intriguing, and it seemed like all of the scenes she was in raised me to a new level of curiosity...of learning more about her character. I believe she was at her best while investigating the death of the young girl. In the beginning of the movie, you learn about her background, but you see a completely different side of her when she's solving the puzzle...something you wouldn't expect.

HOM: Do you have any thoughts on movies wherein the characters are Swedish and the actors are British or American? Is anything lost when the movie takes place in Stockholm and is watched in Newport, Kentucky without subtitles?

DT: No

HOM: What are your expectations for the next two installments of the trilogy? High? Low? Are you anxious that they will be a let down? Or did this one not yet peak so as to leave some space for cooler stuff in the future?

DT: My expectations for the next two are very high. This one left me wanting more, but I don't know why. I say that because this movie went from a murder mystery to a semi-romance. Am I anxious to see the next one because I want to see whether the two main characters end up together or because I want to see them investigate another murder? I'm not a romance guy, but throw in some suspense before/during the romance, I'll accept that. I do look forward to seeing where this goes though and will definitely see the next installment.

HOM: Lastly, which famous celebrity (actor or non-actor) should have been part of the cast in this movie? Who would have made it better? And, do you have any final words on The Girl With the Dragon Tattoo? Anything we need to know about it?

DT: It's difficult to watch a movie you enjoy and try to come up with someone who should have played a particular role. Sarcastically, Lindsay Lohan as Lisbeth and Arnold Schwarzenegger as Mikael. Just think about that screenplay and rapport those two would build with one another. I thought Daniel Craig and Mara were pretty good fits. I believe Tom Hardy, who was in Inception, could play the role as well, if not better, than Craig.

I recommend the movie for anyone without sensitive eyes. The rape scene is disturbing and could potentially ruin the rest of the movie for someone. I felt it dragged a little bit in the last fifth, but not too much where it gets annoying. Go see it if you haven't already and like movies that piece together at its proper pace.

Saturday, January 7, 2012

Shame-a-Colia - James King


My girlfriend and I went for a date. Which, for us, means dinner and a movie. We had two choices—Melancholia and Shame; we chose Shame.

I knew a couple of things going into the movie: Fassbender (great actor), McQueen (not Steve, former artist), sex, addiction, sex-addiction. I also knew the movie was NC-17, which means that, for the benefit of underage readers of this blog, I will have to use the following euphemisms:

“Piece”, as in Fassbender’s piece cannot be contained in a single frame
“Unmentionables”, as in women regularly disrobe, fully exhibiting unmentionables
“Knew”, as in Fassbender knew multiple women, simultaneously, in progressively less erotic, seedier encounters

Gritty and disturbing, Shame provides a haunting portrait of a man’s descent into addiction (and proves that sex addiction is no more fun than the others). He’s a functioning addict, who has a good job and some surface-level relationships. He’s also handsome and charming—a curse as he succumbs over and over again to compulsive sexual encounters. His cycle of unending porn and casual encounters becomes threatened when his troubled sister (Carey Mulligan) moves into his apartment. Her introduction into his life both hints at the cause of his addiction and forces him to acknowledge his troubled state. Agonizingly, however, Shame is more about the depths of addiction rather than the glories of recovery, and the audience can only hope for the eventual, off-screen healing hinted at during the movie’s final act.


Being the fun-loving couple that we are, we decided to see Melancholia as well the following Friday. Though much less gritty and disturbing than Shame, Melancholia is no slouch when it comes to despair, with an uber-depressed Kirsten Dunst even telling us that the “world is evil”. To me, it seems like the difference between the two films is that one is realistic, surface despair, while the other is fantastical, existential despair. That being said, Melancholia’s portrayal of severe depression felt no less real than Shame’s unflinching look at sex addiction. In fact, it might be necessary to use fantastical means to express the utter, extreme despair that someone with depression undergoes.

Of course the ultimate difference between the two films are the endings: one ends on a note of possible (though pretty unlikely) redemption and the other ends with (Spoiler!) the END OF THE WORLD (pretty rare for a movie to end with no possible next scene). For other comparisons, please refer to my bar graph: (Regrettably, the editor is unable to publish the graph at this time, not due to copyright laws. It's because the editor lacks computer skills.)

So, if you and a loved-one are looking for a good time on a bleak, winter’s evening; skip the feel-good flicks and embrace the post-holiday-hangover of Shame-A-Colia.

Top 100 - Patrick

     100.The Hurricane
99. Breaking Away
98. Blue Chips
97. Air Force One
96. Remember the Titans
95. Star Wars
94. The Goonies
93. Willy Wonka and the Chocolate Factory
92. Indiana Jones and the Last Crusade
91. Back to the Future
90. Pirates of the Caribbean: The Curse of the Black Pearl
89. In Bruges
88. Sling Blade
87. Full Metal Jacket
86. Days of Thunder
85. Taken
84. Talladega Nights
83. Meet the Parents
82. Don’t Be a Menace to South Central While Drinking Your Juice in the Hood
81. Independence Day
80. The Sandlot
79. Edward Scissorhands
78. That Thing You Do
77. Ocean’s 11
76. Last of the Mohicans
75. Terminator 2 Judgment Day
74. Home Alone
73. Rudy
72. Kingpin
71. D3: The Mighty Ducks
70. The Count of Monte Cristo
69. Butch Cassidy and the Sundance Kid
68. Orange County
67. Beetlejuice
66. Robin Hood: Men in Tights
65. Airplane!
64. Anchorman
63. Finding Forrester
62. Ghostbusters
61. Braveheart
60. The Legend of Bagger Vance
59. The Graduate
58. Gone with the Wind
57. Ace Ventura Pet Detective
56. Gladiator
55. Moneyball
54. Die Hard
53. Austin Powers (trilogy)
52. Inception
51. Big Daddy
50. Uncle Buck
49. Field of Dreams
48. Big
47. The Outlaw Josey Wales
46. The Royal Tenenbaums
45. Office Space
44. Dances with Wolves
43. A Night at the Roxbury
42. A Beautiful Mind
41. Snatch
40. Shawshank Redemption
39. Caddyshack
38. Ferris Bueller’s Day Off
37. A Few Good Men
36. Slumdog Millionaire
35. As Good as It Gets
34. Rushmore
33. The Patriot
32. Blazing Saddles
31. Billy Madison
30. Almost Famous
29. Top Gun
28. Elf
27. Me Myself and Irene
26. The Fugitive
25. Jurassic Park
24. The Sixth Sense
23. Major League
22. Old School
21. The Hangover
20. The Truman Show
19. The Italian Job
18. The Bourne Identity (trilogy)
17. Good Will Hunting
16. This is Spinal Tap
15. Christmas Vacation
14. Zoolander
13. The Departed
12. Cool Runnings
11. Twister
10. Apollo 13
9. Jerry Maguire
8. Happy Gilmore
7. Tommy Boy
6. Band of Brothers
5. There’s Something About Mary
4. Saving Private Ryan
3. Dumb and Dumber
2. The Princess Bride
1. Forrest Gump

Friday, December 9, 2011

The Descendants


Hawaii, best supporting actor in bunches of movies, co-stars as the backdrop for Alexander Payne's, "The Descendants." As is true with "Sideways," the setting may be decent to look at, but wherever broken humans roam (Hawaii and Napa Valley) there are usually fractured attempts at mending. Payne wastes no time making this clear. The movie opens with George Clooney, who stars as Matt King, descendant of Hawaii colonizers and Hawaiian royalty, gloomily talking over shots of an impoverished, inner-city Hawaii and crowded highways reminiscent of 'the 405' in L.A. The problems of the mainland, or any mainland, as Matt explains, are constantly present in Hawaii and obstinately butting heads with the mainland's perceived paradise. And, as anyone that has lived in L.A. knows, the 405 is a problem.

Payne's movies are exceptional because he is really good at showing that which pushes on a character and then how that character pushes back. In this emotional comedy, there is a lot of pushing and shoving, just as there is in the real world (the great emotional comedy).

The movie picks up with Matt King looking over briefs in his wife's hospital room. We learn that she is in a coma from a boating accident. Later at the family's beach club, Laird Hamilton, her friend that was driving the boat, just from his physical presence (not from his less than stellar acting), makes it clear that King's wife associated with folks and activities that were a little more exciting than Matt's real estate law and churlish tight-wad-ness. From this first of many moments in the hospital room, we see what's pushing on Clooney--a marriage marred with boredom.

We're then introduced to Scottie and Alexandra, King's daughters. As the doctors explain that his wife is going to die, King is left to explain to himself that he is going to have to explain this to his daughters. Scottie, 8, was raised by her mother. Alexandra, 17, was also raised by her mother, however, with 9 years on her sister, Alexandra grew to 'know' her mother and therefore has some real issues. After King retrieves a drunken Alexandra from boarding school, he gets the sobering news from his daughter that her mother, his comatose wife, was cheating on him. Payne makes these moments functional for his movies. Whenever the crises begin to pile, we get to meet more characters and laugh a bit. When the news broke, King immediately puts on his loafers and with a broken gait sprogs to a neighbor's house to square away some details concerning the heartbreaking news about his wife's affair and therein decides to break the heartbreaking news about his wife's imminent death to their friends, the neighbors. Many things are breaking because of what was already broken.

It is true that in the great emotional comedy there are no villains. Payne, in this emotional comedy keeps a similar theme. King's interactions with his wife's unsympathetic, asshole of a father are fair. Sid, Alexandra's stoner boyfriend is at first annoying and later endearing. Even the adulterer, Speer, garners enough respect to be given a civil going-over. At the least, Payne allows us to see where they are coming from. We may not like them, but we understand them. Payne is a true egalitarian director in this sense. Which is necessary for seamlessly aligning a second plot-line with the first.

As his wife is taken off of life support, King is having the life sucked out of him by a slew of greedy cousins. Among which is the affable Beau Bridges. In their flowered shirts they all seem decent enough. It's the fact that they are about to sell 500 million dollars worth of virgin forest to developers that makes them all seem like real scoundrels. The family inherited the land, the kids used to camp on it, and Matt is the executor of the estate. The family wants the money and all of Hawaii wants to save the land. Crises number two. Characters being pushed around. Matt having to explain more stuff to himself and more stuff to other people. Everyone, and this might be the common thread that holds it all together, is constantly having to explain stuff to themselves and others while having stuff explained to them.

No one is better at acting out these sorts of emotions than Clooney. We see him thinking and explaining and breaking and plotting his rebuttal. It's through his acting that the morality invoked by extreme circumstances becomes real. There is no formula for how to deal with greedy cousins, a dying-cheating wife, teenage daughters, unavailable fathers-in-law, and an entire state of people counting on you. Clooney does well to keep from exploding. He does even better at portraying the annoyance and dismalness of having no formula while trying to harness some real pain. Maybe morality, at least maybe for Payne, is simply about knowing how to act in fucked situations when you don't know how to act.

Payne makes the point that there is always only one answer and humans inherently know it the whole time. It's emotional and comedic to follow characters around as they chase what they already know. It delivers a blow when we can empathize with the shit pushing on characters. It's cathartic when there is a happy ending. Ice cream and couches are always sufficient props for such a thing.

"The Descendants" is a good movie.


Top Movies - Rob


My film choices can be categorized basically into 4 groups: Movies w/ a Twist, Serious Dramas w/ Suspense, Spy/Heist Flicks, & Intelligent Comedy; or a combination of those. I'll probably finish my list when I've seen some more movies. I just know there are more out there that I haven't seen yet that belong on a Top 100 list.

Top 50 (It's a Start)

Top 10 in no particular order
The Big Lebowski
Garden State
Inglourious Basterds
Munich
Raiders of the Lost Ark
A Love Song for Bobby Long
Almost Famous
Casino Royale
Zoolander
A River Runs Through It

The Rest in no particular order
True Grit
Home Alone
The Dark Knight
Chinatown
Pulp Fiction
Indiana Jones & The Last Crusade
American History X
Blow Up
Breathless
Inception
Matchstick Men
Star Wars: Episode IV
Rear Window
Rope
Last of the Mohicans
Good Will Hunting
Spy Game
Mission Impossible
The Bourne Identity
Gangs of New York
Orange County
The Life of David Gale
The Departed
Catch Me If You Can
Oceans 11 (the new one, with Clooney)
Snatch
Y Tu Mama Tambien
Annie Hall
Gosford Park
Legends of the Fall
The Lives of Others
The Score
No Country for Old Men
The Green Mile
Adaptation
The Saint


Docs:
Manda Bala (Send a Bullet)
The September Issue
Bill Cunningham New York
Man on Wire

Sunday, December 4, 2011

Top 100 - The Brothers Godsey


Acting
Aesthetics
Rewatchability
Nostalgia/Classic-ness
Emotion Provoking
Overall Enjoyability
Each category has a rating of 1-10 top score being 60
The Brobros Top 100


The Shawshank Redemption (8, 6, 10, 9, 10, 9) = 52
Forrest Gump (9, 7, 8, 10, 8, 8) = 50
Planet of the Apes (7, 8, 10, 10, 7, 7) = 49
The Talented Mr. Ripley (8, 9, 5, 4, 9, 7) = 42
The Royal Tenenbaums (8, 10, 10, 7, 8, 10) = 53
The Big Lebowski (10,7,10, 10, 5, 8) = 49
Goodfellas (8, 6, 9, 10, 6, 10) = 43
Rudy (6, 8, 8, 10, 9, 6) = 47
Pulp Fiction (7, 9, 8, 10, 7, 9) =50

Die Hard
Good Will Hunting
Heat
To Kill a Mockingbird
Silence of the Lambs
The Dear Hunter
In Bruges
The Graduate
Love Actually
Taxi Driver
Raging Bull
Braveheart
Rocky I
Schindler's List
The Sting
Point Break
Legends of the Fall
Scarface
The Godfather I
The Godfather II
The Fighter
The Matrix
Avatar
Casino
The Lives of Others
American Beauty
The Pianist
The Terminator II
Vanilla Sky
One Flew Over the Cuckoo's Nest
Life Aquatic with Steve Zissou
Apollo 13
Crimson Tide
There Will Be Blood
The Departed
The King's Speech
Fight Club
I Heart Huckabees
Fitzcarraldo
Back to the Future
The Killing Fields
Batman Begins
The Royal Tannenbaums
The Wrestler
Requiem for a Dream
Inception
Air Force One
The Hangover
The Lord of the Rings Trilogy
12 Angry Men
Brian's Song
The Lion King
Coming to America
Chasing Amy

Top 100 - Casey

When I sat down to write this I never thought I would be able to come up with 100 movies. But I did and I really think you boys should take a good long look at this list and try to watch a few from “this girl’s list”. I ordered the top 25 but then after that just went with it! Enjoy!

1. Sleepless in Seattle

“I am NOT going to New York to meet some woman who could be a crazy, sick lunatic! Didn't you see Fatal Attraction?”

2. You’ve Got Mail

“I wanted it to be you. I wanted it to be you so badly.”

3. Cool Runnings

Irwin Blitzer: “Gentlemen, a bobsled is a simple thing. “

Man: “Yeah, so's a toilet!”

4. Bewitched

“Where is my dog? I will die if I do not have him back! Do you understand me? I WILL DIE IF I DO NOT HAVE HIM BACK!”

5. Sweet Home Alabama

Young Melanie: “What do you want to be married to me for, anyhow?”

Young Jake: “So I can kiss you anytime I want.”

6. Pretty Woman

“Goodbyes make me crazy…”

7. My Best Friend’s Wedding

“So, I realize this comes at a very inopportune time, but I really have this gigantic favor to ask of you. Choose me. Marry me. Let me make you happy.”

8. Knotting Hill

“You are lovelier this morning than you have ever been.”

9. The Notebook

“It was an improbable romance. He was a country boy. She was from the city. She had the world at her feet, while he didn't have two dimes to rub together.”

10. Enchanted

Giselle: “It is magical.”

11. Kate and Leopold

12. Little Women

13. Wild at Heart

14. Simon Birch

15. An American Tale

16. Father of the Bride

17. Water for Elephants

18. The First Wives Club

19. Runaway Bride

20. Erin Brockovich

21. Crazy Stupid Love

22. It’s a Wonderful Life

23. That Thing You Do

24. The Wedding Planner

25. Crash

26. 27 Dresses

27. Hitch

28. Lovely Bones

29. Double Jeopardy

30. Three Men and a Baby

31. Toy Story

32. Christmas with the Kranks

33. License to Wed

34. The Interpreter

35. 13 Going On 30

36. Cloudy with a Chance of Meatballs

37. Oceans 11

38. Four Christmas’

39. Ratatouille

40. How to Lose a Guy in 10 Days

41. Lincoln Lawyer

42. Seven Pounds

43. Hitch

44. Now and Then

45. It Could Happen to You

46. Country Strong

47. Where the Heart Is

48. Monsters Inc.

49. Wedding Crashers

50. The Dark Knight

51. Home Alone

52. Wedding Crashers

53. The Women

54. Pretty Woman

55. Something’s Gotta Give

56. She’s All That

57. Stepmom

58. Hanging Up

59. The Holiday

60. Dirty Dancing

61. The Polar Express

62. Yours, Mine, and Ours

63. Walk the Line

64. Nights in Rodanthe

65. Made of Honor

66. The Lake House

67. Julie and Julia

68. Charlotte’s Web

69. Eagle Eye

70. Elf

71. Ferris Bueller’s Day Off

72. Sound of Music

73. Social Network

74. Up

75. The Little Mermaid

76. Grease

77. The Secret Garden

78. Madagascar

79. James and the Giant Peach

80. 12 Angry Men

81. Ghost

82. Friday Night Lights

83. Babe

84. Of Mice and Men

85. The Bourne Ultimatum

86. The Silence of the Lambs

87. A Beautiful Mind

88. The Prestige

89. Shutter Island

90. Beaches

91. Serendipity

92. Armageddon

93. The Family Stone

94. Maid in Manhattan

95. Just Like Heaven

96. Raising Helen

97. The Great Gatsby

98. Mona Lisa Smile

99. Titanic

100. The Proposal